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“La Canción” tells the story, in a fiction series which takes in the main events: the enrolment of real life Artur Caps, an Austrian emigré but king of TVE’s variety shows, to choose the song; the choice of Joan Manuel Serrat, an icon of Catalan dissidence so symbol of Spanish modernity, to sing it; when Serrat pulls out, denied the right to sing “La, la, la” in Catalan, the de...

Three women try to persuade an actress to drop an accusation of sexual harassment against a famous film director.

延续《午夜屋台～La Bonno～》设定，讲述因故丧失味嗅觉的法餐主厨远海翔太与味觉敏锐的落魄僧侣方丈辉元在寺院境内经营深夜食堂的故事。续集《午夜屋台2～Le Monde～》中，恢复味觉的翔太与依旧不善烹饪的前副住持辉元转战都市夜市。二人在新天地竭力求生，通过料理与佛法为心怀烦恼的食客传递慰藉。神山智洋继续饰演翔太，中村伦也出演辉元。

一档以硬糖少女303成员为主的偶像团综，7位少女成团后首次开启福利休假团建计划，通过多彩的合宿团建活动，完成团体与个人的连接。

2004年的圣诞夜，某高级公寓内，野口贵弘（德井义实 饰）及其妻子奈央子（小西真奈美 饰）双双遇害，现场则有四个惊慌失措的年轻人：杉下希美（荣仓奈奈 饰）、成濑慎司（窪田正孝 饰）、安藤望（贺来贤人 饰）和西崎真人（小出惠介 饰）。最后西崎认罪，入狱服刑十年。曾经在濑户内海某小岛担任驻警的退休刑警高野茂（三浦友和 饰）对此案存有诸多疑问，当年出生在该小岛的希美和慎司曾卷入神秘的失火事件，上京后的希美与安藤是大学同学，两人又和西崎租住在同一公寓中。千丝万缕将四个年轻人以及野口夫妇联系在一起，每个人都有需要守护的“N”，他们用谎言编制了扑朔迷离的爱恨迷局…… 　　本片根据凑佳苗的原作改编。

胡可抱着满腔热血到北京发展却遭受挫折，但胡可不气馁、把在北京学习到的经验与创意带回台湾与兄弟们共同创业。回到台湾后，胡可与经营夜店的表哥程灏、…

A group of nomads travel the world by horses, camping and self-sustaining themselves throughout diverse activities that go from educational programs to artistic shows. The caravan members are concerned for our mother nature and will do whatever is in their hands to teach the world how to live in communion with plants, animals and everything that surrounds us. This reality-TV show experience will teach us how it is possible to live without so many material commodities and to enjoy nature and everything it has to provide for us.

Jessica Sarah Rinland uses ‘extramission’ and the pioneering technology of nature photographer George Shiras III to put light to acts of conservation and repatriation from London to Argentina. How can contemporary acts of care expose past violences? 　　Extramission: The Capture of Glowing Eyes, an installation by artist-filmmaker Jessica Sarah Rinland, presents moving images and audio recordings alongside material from early 20th-century issues of National Geographic magazines. The archival pages show the life’s work of George Shiras III, inventor of the camera trap, which captured the first photographs of animals at night, in their native habitats. 　　One of the first theories of sight, ‘extramission’ proposed that rays of light emitted from the eyes onto the outside world are what allow us to see. Rinland holds on to the poetry of this now-discredited concept. She frames the earliest night-time photographs of animals in their natural habitat, turns her thermal imagery camera on conservators of taxidermy at the Natural History Museum in London, and shares infra-red camera trap footage of animals recently translocated from Europe back to their native Argentina, where they are no longer found in the wild. 　　Extramission considers the aesthetics and politics of surveillance technologies used on animals. As illustrated in the acts of conservation and repatriation that recur in Rinland’s work, considering how contemporary acts of care can expose past violences.